Parthenon

4⭐Husserl-like transcendental phenomenological cinema. Obviously it is not a 5-star work, there are sequences that should have been shaved, either because they are redundant, or because they could be edited to 5 minutes instead of 9 or 10, but it is a formidable proposal for contemporary life stories. The director's prophylactic intention is understood, he silently shouts that he does not want to contaminate the stories of the characters he presents with his judgment; not placing voiceover or omniscient narrator or omniscient character; not even Mahdi is telling us why he pawns his dreams to search for treasures or gold to the point of forging a passport (or so I understood from the coffee scene with the Turk).